A desire to visualise vocal music inspired me to experiment with audio-
visual work and physical phenomena as early as 2012. Cymatics — the
use of vibration as a medium to move, organise and control matter —
has since constituted a prominent focus in my work.
I continue to reinterpret cymatics as a means for invention, developing
custom designed, large-scale visualisers for performance. The Cymatics
photography series and live Cymatics performances received an ARS
PRIX nomination in 2016.